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Soundtrack Pro 2: Surround Matrix …

Published June 6th, 2007 in Post Production Applications, Final Cut Pro and Audio. 2 Comments

Last week I came across a forum post that expressed envy. A long time pro-audio producer who worked exclusively on the PC platform stated that after taking one look at what Apple has done with Soundtrack Pro 2, serious decisions were in the works. My guess is that we may have another switcher on our hands.

I’m sure this person was able to maintain a high level of productivity on his PC’s. Conversely, I have to agree with him. This new STP UI is stunning to say the least. I realize that functionality, performance, and stability are essential when striving for consistent productivity. Personally, I think visual aesthetics play an important role as well. I can’t imagine spending hours buried in an ugly piece of software … I need to be impressed with the application environment as I work.

These issues of application UI aesthetics and attributes continue to puzzle me when considering the Pro Tools phenomenon. There is no question that Pro Tools is the industry standard, and I don’t need anyone to remind me of this. The problem that I have with Pro Tools is that is just looks so dated. But let’s be frank - it does what it is designed to do very well. I don’t see any reason to believe that widespread use will diminish anytime soon… Back to Soundtrack Pro 2 …

ssp_ssm.jpg

This UI is an example of how things have changed in this latest version. I dragged a six channel 5.1 file from the browser into the multi-track project pane.

The producer is presented with a few options:

• Incorporate the entire six channel mix as a single file into a single track

• Incorporate individual files that represent individual channels extracted form the original. [this is done by holding the option key while dragging].

There are a few important things to note: the Surround Matrix HUD is associated with the selected track. If you choose not to use the HUD, the mini surround pan controllers located on each channel take over. The cool Timecode HUD is fully customizable [size and location]. Lastly, the Level Meters at the upper right adapt to project channel configurations.

One last point - notice the single channel strip at the lower left. The displayed strip is once again dictated by the selected track. Lets say for example I decided to switch out of the mixer display tab in the lower work-space in order to check metadata. The single channel strip allows me to maintain control of each channel level, sub-mixes, buses, and the master output while the mixer is hidden.

Technorati Tags:
Post Production, Final Cut Pro, Final Cut Studio 2, Soundtrack Pro 2

The.Point Inception

Published May 20th, 2007 in Podcast. 9 Comments

wave.jpgI refer to this installment of The.Point as the Inception based on my intension to commence development and production of new and compelling programming. Also, in the near future I plan to embrace an entirely new production platform.

This New Media space is evolving into a viable competitor to main stream media. Final Cut Studio 2 has been released, and various methods of high quality content distribution are in high demand. I’ve been working with a few interesting applications that focus on media management, metadata, and project annotations. My guess is that this concept will materialize into an important aspect of online media distribution.

The.Point is - there’s lots to talk about, so stay tuned …

-ptfigg.

Technorati Tags:
Broadcasting, Post Production, Final Cut Studio 2

Vorsis M-1 Mic Processor …

Published May 10th, 2007 in Audio and Broadcast Hardware. 0 Comments

To the best of my knowledge the Vorsis M-1 Microphone Processor, announced last year - will be hitting the street in the very near future. I just posted preliminary information in this post on the Podcast Academy site. Needless to say this device looks ultra-cool and warrants serious consideration.

m-1.jpg

More to follow …

-ptfigg.

Technorati Tags:
Broadcasting, Broadcasting Gear, Podcasting Gear, Vorsis M-1

Final Cut Studio 2 …

Published April 15th, 2007 in Post Production Applications, Final Cut Pro, Metadata Management and Video Production. 4 Comments

If you are reading this, you are probably aware of all the new Final Cut Pro Studio 2 enhancements, including Soundtrack Pro 2, 3D support in Motion, and the new “Color” application included in the suite. Also. Apple announced Final Cut Server. This tool will add a much needed incorporated high end asset management tool into the FCP workflow. Based on what I read in the forums and on the web, the FCP community is thrilled with all the news. I share this view. By the way - be sure to check out the quick-tours for Color, FCP Studio 2, and FCP Server on the Apple site.

I sat through the live web updates for two hours, studied all the new specifications posted on the site, and finished up by ordering my copy of the update. I wanted to share a bit of personal insight in reference to today’s big announcements.

In terms of Soundtrack Pro 2, Apple has made major improvements to the software. With the addition of 5.1 support, multi-track recording, and a host of additional enhancements, Soundtrack Pro 2 becomes a major player and a solid consideration for those who have been using multi-track DAW applications like Pro Tools, Digital Performer, and Adobe Audition. The only catch with STP 2 is that it is not available as a standalone application. No secret of course.

stp_1.jpg

I must admit that I am confused about one particular issue. First, it’s no secret that Color is Apple’s re-branded version of Final Touch HD. Prior to the acquisition, this was a $5000 piece of software. Now it is bundled with Studio Suite 2 at no additional cost. This is fantastic, and it was totally unexpected.

Final Cut Server will sell for $999. This version includes support for up to a 10 user license agreement. In my opinion this is priced accordingly *if* multiple user support is required. My question is - what about small post facilities and freelancers? Has Apple essentially restricted aggressive adaptation to this new asset management system? In my opinion they should have released a single user license version, or a scaled variation - and priced it accordingly. Just to be clear - I’m not stating that the $999 tag [$1999 for unlimited license support] is out of line. I’m just a bit perplexed as to why FCP server would cost almost as much as the entire studio suite? Is this not a valid assessment?

I checked the status of my order a few moments ago. Estimated shipping date for Final Cut Studio 2 is “… On or Before May 31st …” I’m sure that we will have lot’s too discuss in the coming weeks.

-ptfigg.

Technorati Tags:
Post Production, Apple Color, Final Cut Studio 2, Final Cut Server, Soundtrack Pro 2

Aphex 240 …

Published April 10th, 2007 in Audio and Broadcast Hardware. 2 Comments

4c.jpgI spent a few weeks working with the Aphex 240 Advanced Gating and Compression System. This is a two channel dynamics processor that I often recommend to producers who require a high end component that is user friendly and cost affective. I’ve posted a review on the PCA site.

This type of processor lacks all the fancy voice processing parameters that are included on most professional vocal processors. The 240 is capable of taming dynamics as you record, and this will help maximize efficiency in post production. In the article, I state if you are interested in creating a “signature” sound using an external device, the 240 may not be what you are looking for. In this case the producer should consider the Aphex 230 Voice Processor. It’s important to note that the 230 is a single channel device that retails for $699 US. If two independent channels of processing is required, cost becomes a factor.

Keep in mind that by placing the 240 processing at the source, software plugins can still be added to the workflow in RT or in post in order to expand flexibility. This will mimic the functions of a vocal processor and will help you to achieve a signature sound.

-ptfigg.

Technorati Tags:
Broadcasting, Broadcasting Gear, Podcasting Gear, Post Production, Aphex 240

Inspiration and Updates …

Published March 31st, 2007 in Post Production Applications, Final Cut Pro and Video Production. 0 Comments

Last evening I thought about heading out to the local cinema to check out the new Zodiac film. I’m anxious to experience this movie for a few reasons - the fact that I enjoy films that recreate cultures and lifestyles of the past, and Zodiac was post produced with my favorite application - Final Cut Pro.

zodiac.jpg

I became aware of this a few months ago during a visit to the Apple Pro site. I find it so inspiring when I am invited into a behind the scenes world that documents how a major motion picture was produced with the same $1200 production suite that I have installed on my G5. This Final Cut Studio Profile features David Fincher who directed the Zodiac project. If you have not viewed this segment, watch it. Very cool stuff.

Anyway at the last minute I decided not to venture out. I got caught up watching Casino. Besides, I have some nice stuff here that will not hinder my personal viewing experience of the film on DVD. Specifically - a Runco DLP HD projector, an 82″ Stewart Filmscreen, THX certified audio gear by Lexicon, and speakers by Snell Acoustics and M&K.

With NAB 2007 just a few weeks away, I am excited about the anticipated Apple announcements. In fact, based on this I plan to reinitialize production of the program. A while back I decided to take a break in order to reassess my situation. As it stands, I am considering changing the program format. It is possible that I may distribute two short weekly segments. My goal is to keep the information dynamic as well as cut down on the time that it takes to prepare material. Additional information to follow …

In other news … I have been sitting back keeping a close eye on the prosumer video camera market. I am just about ready to sell my Canon XL1 on eBay and replace it with a high def. camera. Besides the standard Dv format restrictions, the XL1 is just too cumbersome to carry around. I’m patiently waiting for a sub $1500 - 1080p HDMI camera that supports native 24p, and has decent audio I/O options. I’m holding out for something that has a pro form-factor, similar to the new Canon and Panasonic models.

It will be difficult to part with my XL1 for obvious reasons. Currently the camera is selling as high as $2k depending on condition and included accessories. The longer I wait, the higher the risk of depreciation.

-ptfigg.

Technorati Tags:
Post Production, Final Cut Pro, Zodiac

POMFORT SilverStack …

Published March 16th, 2007 in Post Production Applications, Final Cut Pro, Metadata Management and Video Production. 0 Comments

SilverStack is yet another example of first class software engineering and UI design. This professional tool supports inspection, management, and previewing of hi-res. image sequences slated for production workflows as customized Quicktime movies.

pom.jpg

SilverStack supports advanced color management for many file formats, including DPX, Cineon and TIF - in PAL, HD, 2K, 4K and 6K resolutions. Media browsing is possible for sequence based and timecode based projects using a custom designed info-timeline that displays SMPTE timecode, frame numbers, or timecodes calculated from the actual file names.

Also included in this software bundle is Pomfort’s Cinemator. This is a QT movie render engine/export utility that includes a vast array of user defined preferences that will help customize your render sessions.

There is a workflow example on the Pomfort site that clearly documents the functionality of SilverStack. Here is an in depth reference to all application features and functions.

If you require advanced image sequence management, SilverStack is an impressive tool that warrants serious consideration . The application is available in two versions - Full Edition and Video Edition.

More information to follow as I familiarize myself with this cool piece of software …

-ptfigg.

Technorati Tags:
Image Post Production, Pomfort SilverStack

Solidyne D816 On-Air Console …

Published February 23rd, 2007 in Broadcast Hardware. 0 Comments

solidyne.jpgI just stumbled upon a very interesting new product that I will be keeping a close eye on. I realize that what I am about to discuss is most likely something that the typical podcast producer would not have the slightest bit of interest in.

Many people continue to suggest that a podcast is nothing more than a shared personal recording, captured with a $50 USB microphone, and distributed over the internet with very little fuss. I find myself helping many people who require nothing more than one of these USB mics and some free audio editing software to make them happy. This is good, and I’m happy to help in any way I can.

On the other hand, it is no secret that many producers are extremely concerned about the quality of their produced content. Podcasting has evolved into a diverse mechanism of media distribution at various levels of cost and complexity.

As a result, there is a major interest in expensive, high-end, professional gear. Typically components of this nature are coveted by those who have in one way or another succeeded in transforming New Media Distribution form a hobby into a business endeavor. It’s no secret that I fit into this category. I’m doing the best that I can to make it work.

Back to this exciting new product … What if I was to inform you that very soon, a single component would offer: 3 mic preamps with 48v phantom power, 3 internal Telephone Hybrids, 2 USB I/O buses - [I’m not kidding], 16 stereo Inputs … 5 stereo outputs, 4 band mic equalization, on-board mic compressor for all mic channels, and extensive [5 bus] monitoring options?

Solidyne is the company, and the component is the D816 Digital On-Air Console.

Additional features include: 4 electronic VU meters with compression gain reduction metering, balanced stereo inputs [three DIN-5], external device triggering, cellular telephone input support, and telephone hybrid conferencing.

To the best of my knowledge, Solidyne is a professional broadcast supply manufacturer located in Argentina. In my opinion, they have created a product that will break the barrier between those who seek the benefits and features of a professional radio console, and the high cost of what is currently available in the marketplace. In the end, this has delayed the possibility of upgrading. I’m hearing that the Solidyne D816 console will sell for less than $1400 US, and will be available in the early Spring.

If you have a second, build a spreadsheet and tally up a bottom line estimate for: a high quality mixer, a few compressors, a few digital hybrids, and a meter bridge. Let me know what you come up with.

To be continued …

-ptfigg.

Technorati Tags:
Broadcasting Gear, Solidyne, Radio Console

Frameline 47 version 2 coming soon …

Published February 20th, 2007 in Video Encoders, Post Production Applications, Final Cut Pro, Metadata Management and Video Production. 0 Comments

I’m really looking forward to what appears to be a major update for one of my favorite productivity tools, Frameline 47. This application offers cutting edge support for incorporating proprietary metadata and annotations to media files. What I find most interesting is the supported metadata protocol: MPEG-7. This is not a typical audio or video compression codec. MPEG-7 is an ISO/IEC standard developed by the Moving Picture Experts Group. This standard provides a robust method of accurately describing, logging and accessing media. Frameline 47 takes full advantage of this. The “47″ connotation suggests that a single MPEG-4 video file also contains embedded MPEG-7 metadata.

In the following example, I was working in the File metadata input section that is available within the Notate module. The File annotations are associated with an entire media sequence, similar in concept to the common ID3 tag method. Notice that my segments are provided in a list. My cuts were generated in the Edit mode. This resulted in the individual segments that are apparent in the list.

fl_47_notate.jpg

The Play 47 mode in Frameline 47 is stunning. Project files and sequences can be viewed according to user defined preferences. Pictured below is a full screen capture of Play 47 on my Apple 23″ Cinema Display. Notice the floating controller located in the upper left corner, as well as the individual frame references that specify cut points at the bottom of the UI . The best feature of all is that most associated metadata and annotations can be viewed in RT as you monitor playback.

manny.jpg

There are so many cool features available in this well designed application. What amazes me is that considering its complexity, it is easy to grasp. With very little experimentation, you will be up to speed in no time.

As I’ve stated in the past, Frameline 47 warrants serious consideration if you require a robust and efficient method of metadata management.

-ptfigg.

Flux Pure Series Plugins …

Published February 19th, 2007 in Plugins and Audio. 0 Comments

flux_1.jpg

I found some interesting new plugins developed and distributed by Flux, a French company involved in Pro Audio and Picture Development. At first glance I found their Pure Series package interesting based on the unique aesthetic design concept. The plugin interface’s are similar to vertical weighted hand held remote controls.

The Pure Series set consists of four independent modules: Compressor, DCompressor, Expander and DExpander. FLux states that the DCompressor allows you to restore the original dynamics of a sound. This is very useful for heavily compressed audio. The DExpander enhances low levels of sound by “magnifying specialized information.” All plugins use exclusive algorithms developed by Flux.

In their description of the basic Expander, they point out that you can “remove unwanted noises or reverberation without adding a processed character to your sound.” The issue of reverberation removal surfaces here from time to time. I have found that expansion in general helps if it is applied intuitively

Keep in mind that Flux offers two additional independent plugins: the Solera+ Dynamics Processor and the Epure Natural Equalizer. I’ll be reviewing their specifications.

The Pure Series bundle is available in the VST and RTAS format for both Mac and PC. $610 US.

-ptfigg.

Annotation Edit …

Published February 6th, 2007 in Metadata Management and Video Production. 0 Comments

A few weeks ago I was made aware of a new video metadata management application and work-flow bundle: Annotation Edit. This software immediatley caught my eye due to its sleek design. What we have here is a powerful video annotation and subtitling system developed and distributed by zeitAnker. This tool is a client based stand-alone application that integrates seamlessly with Apple’s Pro Video applications. Annotation ‘Studio’ supports database integration. This is essentially Annotation Edit plus server support and management.

As I read into the specs, it came to my attention that zeitAnker offers service contracts that include hosting provisions for web-based annotation and subtitling work-flows. This is referred to as the Annotation Studio Server option. This bundle is the foundation of possible contractual arrangements.

Recently zeitAnker announced a scaled down version of Annotation Edit that will be available sometime in then near future: Annotation Transcriber. My guess is that this version will be very attractive to prosumer video producers. I will have more information as it becomes available. So far, I’m impressed with what I have learned about this application group and its concept.

-ptfigg.

Waves SSL 4000 Collection …

Published February 3rd, 2007 in Plugins. 0 Comments

I’m spending a good amount of time these days researching high end production plugins for a possible future project that I may author. One thing that continues to fascinate me is the transformation of state of the art hardware processors into a software variation. Needless to say this provides potential endless opportunities of accessibility to a select group of cutting edge tools that may have been out of reach in the past due to various circumstances including cost.

It is no secret that Waves plugins are in fact the industry standard. They are used extensively in music, film, and broadcast production. They now offer a unique collection bundle that was developed under licensee from Solid State Logic. The SSL 4000 Collection by Waves includes three modeled plugins based on the legendary SSL 4000 Series console. Their site states that according to Billboard Magazine, 75.5% of No.1 US singles were recorded at some point using this console. The software bundle includes the SSL E-Channel, the SSL G-Master Bus Compressor, and the SSL G-Master Equalizer. I believe these are representations of hardware modules that are part of the referenced console by SSL.

Sl-4000 Banner-2

Each processor includes unique and proprietary characteristics. For example, the technical specification for the equalizer states that the software version of the equalizer provides “greater gain change” compared to the E-Series EQ, and a slightly different curve. Also the broader ‘Q’ [bandwidth] allows for more “extreme equalization.”

Waves-Ssl Eq

The Compressor captures the “unique sound of its IC input and twin VCA gain reduction amplifier design.” This processor offers the typical array of familiar parameters available on most compressors. Last but not least, the E-Channel combines control of equalization filtering and dynamics processing into a single stage.

Waves Dual

This bundle was the winner of the 2006 TEC Award for Signal Processing Technology/Software. It is priced at $800 US. Visit the Waves site for additional information and a demo application.

Cool stuff …

-ptfigg.

GigaVox Audio Lite Alpha Testers …

Published January 30th, 2007 in Post Production Applications. 4 Comments

GigaVox Media will soon unleash GigaVox Audio Lite, the internal component based show assembly/content management system that is used by IT Conversations and additional network channels. This content management system maximizes production and publication efficiency. Features include dynamic ad campaigns, program assembly, and audio processing. If you are an experienced podcast or broadcast producer and would like to participate in the current phase of alpha testing, please contact me. I have a limited amount of invites available.

-ptfigg.

Blue Analog TrackBox by Nomad Factory …

Published January 23rd, 2007 in Main. 2 Comments

The LM-662 Limiting Amplifier plugin by Nomad Factory is one of the few plugins that I continue to endorse based on its ease of use and exceptional quality in sound processing. This tool is part of the Analog Signature Pack …

Nomad Factory offers an alternative set of tools - the Blue Tubes line of plugins. In fact, I just installed the Blue Analog TrackBox channel strip. I’m looking forward to working with what looks to be another fantastic tool.

The TrackBox has built in Tube Emulation, Four Band Parametric EQ, Analog Compressor, Analog Expander/Gate, High-Pass/Low-Pass filters, and a Brick-Wall Peak Limiter.

Notice the direct reference to ‘Analog’ modeling. This processor is designed to reproduce the rich, warm sound typical of vintage analog processors. The aesthetic design follows this trend.

The TrackBox supports audio up to 192kHz sample rate, automation, and extensive preset management. Windows and Mac formats include: VST, RTAS/AS, AU [universal binaries]. MSRP $189 US [download version].

More to follow …

-ptfigg.

Media File Player Progressing …

Published January 18th, 2007 in Development. 0 Comments

The media file player that I have been actively developing is coming along I guess. New additions include a playback timer and average level measurement. The implementation of the level display has proven to be difficult to say the least.

The first problem that I was able to alleviate: Prior to the fix, the player was sucking up close to 100% of my system resources. I realized that this was due to the activation of the level meters. It turns out that the original level indicators contained hundreds of increments. The new design utilizes a consistent ‘bar’. The display does not look as cool, however it solved the problem.

Secondly, the meters are designed to reflect average or RMS output levels. My problem is with the ballistics. They react similar to peak level meters, incorporating rapid bursts based on the source. A typical RMS meter will react with sort of a delayed response, hovering at or around the average level of the signal. In their current state, the process of estimating measurement is accomplished by studying the highest and lowest registered increments. Averaging will provide an estimation of the level. Each specified increment on the meter has been calibrated using pink noise with predetermined RMS levels.

Additional Fixes: in the past, during volume adjustment and menu access, the timer would pause and subsequently kick back in once the adjustments were completed. This has been fixed. I still have one minor issue with the timer - if any of the transport buttons are clicked without an associated media file, the timer numerals scramble. I can’t figure out what the problem is. I posted a request for a bit of guidance on a popular forum and I’m waiting to hear back.

The player supports everything from standard Quicktime files, to Streaming Media and Flash Video. The video display is fixed in order to display standard 320×240 iPod video natively. Widescreen clips will retain a relative 16:9 aspect ratio based on the fixed size of the display. Best case scenario here is that all videos open at their native aspect ratio. I’m looking into this feature.

The player is nothing more than my personal rendition of the Quicktime Player with a few proprieatry design aspects. The project has been a tremendous learning experience. In the future I plan to re-design the GUI as soon as I get my hands on the new version of Xcode that will be incorporated in Mac OSX Leopard.

-ptfigg.

Mac G5 Maintenance …

Published January 17th, 2007 in Main. 0 Comments

Prior to switching over to Macs seven years ago, I spent a good amount of time designing and custom building high end PC’s. In fact, stored away in a box I have a brand new Home Theater PC that I built three years ago just for the heck of it. This particular model is housed in an aluminum desktop style case that mimics the style of a typical high end audio component.

The guts of the system are a thing of beauty to say the least. It is meticulously wired and sound proofed. All internal fans have dedicated RPM controllers. The coolest feature of all is a programmable LCD panel on the front of the case that displays proprietary information [disc and track titles, internal system specs, etc].

These days, computer maintenance is limited to a monthly ritual of opening my G5 case in order to remove accumulated dust and to spot check the internal components. When I purchased the machine some time ago, I installed the ATI Radeon 9800 Pro SE for Mac graphics card, additional system RAM and a firewire 800 card.

Lately I have noticed that the noise level of the GPU heat-sink/fan on the graphics card was increasing. I decided to look around for a replacement that would provide efficiency and at the same time alleviate the increase in noise.

I purchased and installed the ATI Silencer 1 [Rev. 2] VGA Cooler by Artic Cooling from the online resource FrozenCPU.com . What a difference …

The cooler is specifically designed for my card [and others by ATI]. Installation was tedious … but not difficult. The key is to pinch the plastic pins located on the bottom of the card that holds the existing heat-sink/fan in place. The card needs to be at or above a specific temperature in order to free the mechanism form the GPU. With a bit of gentle twisting, removal was easy.

I positioned the screw posts properly, and the new cooler fit snugly on the card. The screw posts are accessible from the bottom of the card . A metal harness is provided to act as a bracket for extra support. Keep in mind that this new cooler along with the card occupies the adjacent PCI slot in the G5 due to its extended depth.

The entire process took fifteen minutes to complete, and the resulting reduction in noise is substantial. This is a well designed mod option. The total cost was $30 US. [including shipping]. Highly recommended.

** Do not attempt this type of mod unless you have past experience working with delicate computer peripherals!

-ptfigg.

Wave Arts Master Restoration Suite …

Published January 7th, 2007 in Plugins. 0 Comments

Wave Arts, one of my favorite resources for first class production plugins will debut their new Master Restoration Suite at NAMM 2007 in mid January.

The product consists of: Master Restoration [the all-in-one plugin], incorporating MR Hum, MR Click, MR Noise and MR Gate. Wave Arts states that the plugin is designed to clean up tape, vinyl, and acoustic recordings with ease. My guess is that this is only the beginning in terms of work flow considerations.

One feature worth mentioning is the availability of an ‘Auto Dynamics‘ mode that helps keep transients sharp when performing noise reduction in order to minimize artifacts. Additional features include: preset support, mono/stereo operation, and up to 192 kHz sampling rate with 32 bit processing with 64-bit EQ’s. The plugin supports AU/RTAS/VST/MAS on the Mac [universal binary], and RTAS/VST/DX on the PC.

The full suite will sell for $499 US. You have the option of purchasing MR Noise for $299, or MR Hum, MR Click, and MR Gate for $149. The product is expected to ship this Spring.

Wave Arts offers a fantastic array of tools. My favorite is the FinalPlug Volume Maximizer and Peak Limiter. This plugin also supports bit depth truncation and dithering.

-ptfigg.

VX30 Flash Encoder for Mac OSX …

Published December 14th, 2006 in Video Encoders. 5 Comments

Here is a sneak peak at VX30, the professional level flash video encoding tool set. The company itself offers an interesting set of software applications, including live streaming applications that will stream video to any client running a java supported web browser. My initial exposure to the company and the software was due to this press release. I’m currently running the software, and so far the results are excellent.

The application UI consists of five independent modules, each with a specific purpose as you prepare your video for final flash delivery. When a session is completed, the resulting files can be stored locally or uploaded to a web server with VX30’s embedded FTP support. Customization in terms of the entire movie presentation is possible as well.

I’ll have more information as I continue to work with this cool application …

-ptfigg.

Episode Pro 4.2 …

Published December 7th, 2006 in Video Encoders. 3 Comments

Here is another glimpse into my preferred group of production tools. If you are a Mac user, I’m sure you are aware of Flip4Mac. This software provides .wmv support for Mac via Quicktime. Telestream, the parent company develops the Episode Series of high end media encoders. Also, the Episode Engine - a server based media encoding application.


In case you are wondering why an encoder like Episode Pro is even necessary if you already have access to Compressor, Apple’s pro-encoder - the answer is simple: Episode supports work flow options that are just not available in Compressor. Flash 8 and Real Audio/Video are perfect examples.

The latest release of Episode Pro [ver.4.2] has many new features including support for HDV encoding. All supported codecs and work flows can be customized using an extensive selection of parameters that are essential within a professional media broadcasting environment. Audio encoding is supported as well..

Application updates have been consistent, and each update has added significant improvements to the software. Take a look at Episode Pro if you are considering a high end media encoder. I’m planning to include an in depth review on a future episode of The.Point.

-ptfigg.

MusicbedDV 1.6 …

Published December 5th, 2006 in Post Production Applications. 0 Comments

If you are not aware of the following application, I suggest that you take some time and pay a visit to the synk•audio site and familiarize yourself with it. I am referring to MusicbedDV. Currently I am working with the latest release [ver. 1.6], and I will provide a full review on a future broadcast. Here are my preliminary impressions …


In my opinion the term that best describes the concept of this impressive application is ‘sculpt‘, and I reference this directly from the information supplement provided with the software. By accessing the included stock music collection, and working with style and texture controls - musical intensity, complexity, dynamics, pitch, etc. can be manipulated on a proprietary basis in order to suit your needs. This is all done in real time.

The stock music itself is not your typical library of loops, similar in concept to how Soundtrack Pro provides stock music. MusicbedDV draws its media from an extensive collection of cached media files that can be altered as you progress through your project in order to meet your specific requirements. Most of the media is fully composed and orchestrated. The key here is the availability of manual manipulation, and this approach translates into an unlimited array of variations.

What I really like about MusicbedDv is that the application is not limited to video production projects. I see this application coming in handy to produce audio segments for broadcast use as well. It’s easy to use, it integrates with the Apple Pro Apps., and it has a professional feel. I have to say that I’m very impressed with MusicbedDV.

To be continued …

-ptfigg.

Waves MaxxVolume …

Published December 2nd, 2006 in Plugins. 0 Comments

I experienced mixed feelings when I noticed that Waves is offering some interesting new tools. MaxxVolume caught my attention immediately. This is a new dynamics processor that combines technologies from four of the critically acclaimed Waves plugins, including the L2 Ultramaximizer™.

MaxxVolume provides compression, gating and leveling, and is well suited for voiceovers and broadcasting use. As I continued to read into the availability of the plugin, It came to my attention that it is in fact available exclusively as part of the new Waves Mercury bundle. Wow - something like 91 individual processors and over 200 component plugins. At this point my interest was increasing, and I was well aware that this package was probably going to be out of reach in terms of cost. I was correct. The Waves Mercury bundle will set you back $7500 US.

I am not implying that this package is over priced or not worth the money. In fact based on Waves reputation in terms of quality, along with the vast array of tools included in the Mercury suite, I’m sure this bundle is worth every penny. My hope is that sometime in the future Waves releases MaxxVolume as a stand alone plugin, much the same as the L2 Ultramaximizer™.

-ptfigg.

‘The.Point’ no.52

Published December 1st, 2006 in Podcast. 2 Comments

New Broadcast. On this edition of The.Point, I briefly discuss audioFile, the sleek and simple media file player that I have developed. Also, have you ever wondered how motion picture film projects are edited on computer workstations? As promised, I explain how Cinema Tools helps with this process. Lastly, I discuss a term and process that seems to be an enigma more often than not … I am referring to Dither. I explain the specific guidelines that you need to be aware of in order to maintain optimum resolution and fidelity.

-ptfigg.

vAudioFile ver.1.0 …

Published November 23rd, 2006 in Development. 0 Comments

- from Podcastrigs.com …

I finally had the opportunity to complete my simple [and sleek] vAudioFile player. I have a few minor adjustments to make before I distribute it.

As referenced in this post from a few months ago, I thought that this type of project would be a logical choice for me to pursue as an aspiring developer. The first build was fine. However vAudioFile lacked some basic functionality [volume, pause, etc]. At that particular time, implementation was just too advanced for me to incorporate. I’m finding that as I delve deeper into the process of developing applications, specific aspects sort of pop up unexpectedly during the process of working on more complex issues. These aspects can be incorporated into similar applications.

In terms of complex projects, there is something bigger and better in the works. I can report that have made progress. On the other hand, time will tell whether I can actually bring the application to life. There is just so much to learn … to be continued …

-ptfigg.

Cinema Tools … the Manual

Published October 28th, 2006 in Final Cut Pro. 5 Comments

I have been spending a good amount of time lately researching and logging information on a few interesting and unique technical issues. I’ve decided to produce a program [the next episode of The.Point] that focuses on these issues. Specifically, the post production relationship between traditional film footage and the subsequent process of digital non-linear editing. Secondly, the underlying complexity of word-length reduction [also known as bit depth and/or resolution], a common practice for those of us who work with digital audio.

Today I have a recommendation. A must read. I think it is safe to say that Cinema Tools has solid standing within the professional production community. This is a complex relational database application that is part of the Final Cut Studio bundle. For those of us who spend little or no time working with traditional film, Cinema Tools may not be of much interest. I just completed reading the entire 200+ page manual. Let me tell you … this is interesting material. Glance through it in your spare time and let me know if you agree.

-ptfigg.

Adobe Soundbooth …

Published October 26th, 2006 in Audio. 0 Comments

Looks like Audition for Mac has arrived … well sort of. You can now download the public beta of Soundbooth, Adobe’s ‘new’ audio production and editing tool. As soon as I read the press release I visited the site and prepared to download. Well it seems that Adobe is limiting the use of this software to Intel based Macs.

“Apple is quickly moving its focus towards Intel Macs, and no longer sells Power PC systems in many places. By focusing on Apple’s future, we have been able to bring this powerful application to the Mac platform much more rapidly, and with a stronger feature set”.

Bad move Adobe.

Update: A senior product manager from Adobe comments on the lack of PPC support.

-ptfigg.

Sonalksis FreeG Signal Measurement Tool …

Published October 13th, 2006 in Plugins. 0 Comments

The FreeG plugin offered by Sonalksis will expand your customization options in terms of level monitoring and adjustments on specific channels integrated in a host audio production application project. Simply load an instance of FreeG on a channel’s insert within your host application of choice. Features include: stereo and mono compatibility, Pre/Post implementation, and Multiple Metering modes [Digital PPM, PPM, VU and BBC] for RMS and Peak measurements. Adjustments are made with a traditional style fader and/or a precise trim parameter. [AU, VST RTAS supported] . And yes, Sonalksis is offering this tool for free …

-ptfigg.

Final Cut Pro 5.1.2 … Live Video-Scope Output …

Published September 26th, 2006 in Final Cut Pro. 1 Comment

The anticipated 5.1.2 update for Final Cut Pro has been released. Besides compatibility and codec enhancements, the video-scopes now output in real-time. A very cool addition to this software. More to follow as I read into this …

Update: This is a must read. 16 pages of information that explains all the enhancements included in FCP 5.1.2

Compressor ver. 2.3 now supports transcoding of iPod compliant H.264 files.

-ptfigg.

ffmpegX Media Encoder …

Published September 23rd, 2006 in Video Encoders. 0 Comments

This is one of my favorite tools. The ffmpegX audio and video encoder for Mac OSX is essentially a GUI that simplifies implementation of various Unix open-source tools. You simply drag in your source file, set parameters, and encode. Features include: selectable presets, extensive customization options for individual codecs, play and preview options, and a Queue Monitor window. Keep in mind it is necessary to download and associate three individual open-source Unix binaries in order to experience full functionality. It’s a simple process. The latest build [v0.0.9x] includes an ‘iPod H.264′ preset to support high-res 640×480 H.264 in updated iPods. The application is listed as Shareware, with a suggested registration fee of $15 US. Highly recommended.

-ptfigg.

‘The.Point’ no.51

Published September 15th, 2006 in Podcast. 2 Comments

New broadcast. I mention a new set of plugins and software updates provided by Digital Heaven, and DV Monitor, a cool application that will transform your Mac display or portable computer into a field monitor. Also, we take an in depth look at Frameline 47, a powerful and stylish media asset annotation and management tool.

-ptfigg.

URS Classic Console Strip …

Published September 2nd, 2006 in Plugins. 0 Comments

The Classic Console Strip plugin by Unique Recording Software features a Compressor with four user defined parameters, including Threshold, Attack/Release, Ratio and Gain Makeup. Considering this configuration, the compressor implementation is simplified in my opinion. Also on board is a three band EQ, with carefully selected frequencies, and a host of user defined parameter settings. The plugin is pre-loaded with 46 presets, and is mono/stereo compatible. It looks like an interesting consideration that is well suited for vocal processing. [RTAS, VST and AU versions available - 192 kHz maximum supported sample rate] $249 US.

-ptfigg.

Frameline 47 for Media Asset Management …

Published August 22nd, 2006 in Metadata Management. 0 Comments

I’ve just installed Frameline 47, a video asset and data management application developed by Versatile Delivery Systems, based in the UK. I’m looking forward to working with what appears to be an extremely high quality tool, that is meticulously designed, and offers a vast array of professional options and features. Specifically, the application provides data management, editing, and encoding of video files and clips. More to follow as I continue my research and testing …

-ptfigg.

Dual Mix-Minus …

Published August 16th, 2006 in Main. 0 Comments

In case you missed this at Podcastrigs.com …

Have you ever wondered how to expand the basic Mix-Minus Bus configuration for Digital Hybrid implementation into a Dual-Hybrid variation? This system provides the option of recording two incoming calls on independent tracks. The ‘Host’ and ‘Guest’ can converse freely, and I essentially sit back, monitor levels, and provide support if necessary. This is an interesting lesson in signal routing and configuration. [diagram by ptfigg.]

-ptfigg.

‘The.Point’ no.50

Published August 14th, 2006 in Podcast. 7 Comments

New Broadcast. I mention iAspect, a free utility that is used for aspect ratio numerical conversions, and FootTrack, a sleek software tool that will help you catalogue and organize digital video media. This broadcast also features a special interview with Joel Johnson, product manager for Electrovoice and Blue Wired Microphones. We discuss the longevity of the RE-20 Dynamic Broadcast Microphone. Hi-res image.

-ptfigg.

Links: Sheer Video

iZotope Vinyl …

Published August 2nd, 2006 in Plugins. 0 Comments

Vinyl is a unique tool available from iZotope. It has been referred to as the ‘ultimate low-fi weapon’. Use it to create authentic vinyl simulation, just as if a record is playing on a turntable. The plugin uses 64-bit processing, advanced filtering, modeling and re-sampling to create the desired effect. You can simulate mechanical noise, dust, scratch and warp for example. You can also select the ‘year of the record player’, from current linear tracking technology - back to 1930’s phonographs. It’s a unique tool that just may come in handy someday in your post work-flow. Best of all - it’s free. Thanks iZotope.

-ptfigg.

iZotope Plugins are now Universal Binary …

Published July 19th, 2006 in Plugins. 0 Comments

It is no secret that iZotope’s Ozone is my favorite audio processing tool. I use it extensively on a daily basis. In my opinion, nothing comes close to it in terms of value, and most importantly, quality results. The suite consists of six independent processing ‘modules’, including a multi-band compressor, paragraphic eq and loudness maximizer. Presets are efficiently managed using a well organized system, and overall plugin customization options are extensive.

Spectron is is spectral effect plugin ideal for producing atmospheric soundscapes and special effects for film and videogame sound design. Both tools are now Universal Binaries under Mac OSX.

-ptfigg.

Vorsis HD-P3 Multi-band Digital Processor …

Published July 13th, 2006 in Broadcast Hardware. 0 Comments

Vorsis is now providing extensive data and specs on their site for their new product line that was introduced at NAB this year. The HD-P3 HD Signal Processor for example, is designed to be used for various aspects of broadcast and production signal processing. Features include: three-band processing with adjustable crossover points, four-band parametric eq, high-pass/low-pass and notch filters, de-esser, downward expansion, multi-band compression and AGC [automatic gain control]. Also, output limiter, output gating, master attack/release, and TCP/IP remote control. The interactive GUI software [PC only] provides full access and control. You can view an interactive movie of the control software on the site. Direct link to specs.

-ptfigg.

‘The.Point’ no.49

Published July 7th, 2006 in Podcast. 4 Comments

New Broadcast. With the acceleration in popularity of video podcasts, pro applications like Final Cut Pro are very accessible, and will enhance your post production work-flow. I offer some personal insight on how to approach the process of teaching yourself Final Cut Pro. Also, I discuss how to integrate a digital telephone hybrid with an audio interface. I recommend BigTime, a new application from Digital Heaven, and MovieGate, a $15 DVD authoring tool developed in France. Lastly, I mention a future review of a new application called Musicbed DV.

-ptfigg.

Links:
Videogrunt
Sony Sound Effects

Shure SM11-CN Lav Mic …

Published June 23rd, 2006 in Microphones. 0 Comments

I have been spending some time developing a concept for a videocast. The post work-flow is ready to go obviously. However I realized a lav mic is necessary in order to record dialog while shooting. I have a Canon XL1 camera with available XLR inputs for professional microphone integration.

The Shure SM11-CN is an omnidirectional dynamic mic designed for ‘on-camera’ television broadcasting. The data on the Shure site also suggests it can be used in certain radio and motion picture applications. It ships with necessary mounting accessories, including a tie clasp. Prices vary on the web, peaking somewhere around $200. B&H here in NYC has it in stock, and it’s available for $99 US. I’m expecting the mic in a few days.

-ptfigg.

MovieGate for DVD Authoring …

Published June 5th, 2006 in Post Production Applications. 3 Comments

I found this application late last week. The site where MovieGate is offered is entirely composed in French, and the available screen captures showed French application text as well. I contacted the developer, and I was informed there is a full English version available along with a user manual.

My first impression? - I can’t believe this application only costs $15 US. I read the manual, and it seems MovieGate fills the void between the basics of iDVD and the advanced features of DVD Studio Pro. You have the choice of two encoders, you can download or create themes using Quartz Composer, create slide shows, etc. I’ll have more info as my tests continue. For now it warrants some serious consideration …

-ptfigg.

Anamorphic on my Workstation …

Published May 23rd, 2006 in Final Cut Pro. 1 Comment

This post will address two issues: Anamorphic stills for Final Cut Pro, and curiosity in reference to my workstation.

From time to time I am asked: How does one properly size stills created in Photoshop, in preparation for an anamorphic Final Cut Pro project sequence? The solution is quite simple - Start by building your stills with a resolution of 853 x 480. From the Image menu in Photoshop, resize the image to 720×480. Make sure you uncheck constrain proportions in the dialog box. This process will distort your original image. [I’ll explain in detail on The.Point in the near future]

Import the jpeg into Final Cut Pro. You will need to make sure your new sequence properties are set to 720×480, and check the anamorphic option box. Do the same for the specific clip properties. This can be done by simply clicking and checking the anamorphic field in your FCP browser for the clip[s].

Now drop the clip[s] into the timeline and you will notice they are properly scaled. I can confirm this by viewing the canvas video on my 13″ Sony NTSC Production Monitor [far right]. This monitor can be switched to properly display native 16:9 anamorphic video.

On top of the monitor is an AJA/IO LA breakout box. This serves many purposes, for example the ability to capture and digitize analog video [and audio] via component, composite or S-video sources. The box also delivers 4 channel balanced audio I/O, Genlock and analog video output. It links to my G5 via firewire. Above the AJA box is a Panasonic MiniDv deck. I use this to capture mini Dv footage, and also to record my timeline in case I need to provide a tape as a final method of distribution.

You will notice the Final Cut editing keyboard on the desk below an Apple 23″ Cinema Display. Off to the left is a 17″ IBM digital flat panel, and my Electrovoice RE-20, suspended on a Heil broadcast mic arm. The audio rack is off screen, to the left.

-ptfigg.

‘The.Point’ no.48

Published May 21st, 2006 in Podcast. 2 Comments

New Broadcast. I mention the Public Radio Exchange, a fantastic resource for independent radio producers, program directors and listeners. I recommend DH_Fade, a plugin filter offered by Digital Heaven. This filter simplifies the process of adding fades to multiple clips in a Final Cut Pro or Final Cut Express project. I spend some time explaining the difference between Online and Offline editing.

I point you to Quicktime Movie Note Taker, a free application that consists of an embedded text editor for logging proprietary notes according to specific time-code references. I briefly mention Compression Master by Popwire, the industrial strength media encoder, and recommend The Production Value of HD, an online seminar provided by Apple Computer.

-ptfigg.

Tascam CD-601 MkII Broadcast CD Player …

Published May 10th, 2006 in Broadcast Hardware. 0 Comments

Ever wonder what commercial radio and broadcast facilities use to play audio CD’s on the air? The Tascam CD-601 MkII is specifically designed for on-air broadcast production. This CD player offers many unique features. The operator can select between main send/play [on the air], or pre-listen [monitor] modes. You can also save up to 10 cue points per CD. This is a useful feature when broadcasting/cueing extended classical music pieces for example. You can essentially create proprietary in points or markers. This will set you back $2K US.

-ptfigg.

AudioLeak … For RMS Values …

Published May 8th, 2006 in Plugins. 0 Comments

AudioLeak is a must have Free utility offered by Channel D Software. This tool measures relative playback volume of sound by simply dragging an audio file into the UI. Specifically, average unweighted RMS, A-Weighted RMS, and Peak values. This latest version provides graphing of analysis results [RMS, Peak, Histogram].

-ptfigg.

Vorsis NAB 2006 Announcements …

Published April 25th, 2006 in Broadcast Hardware. 4 Comments

Vorsis has announced three new processors at NAB 2006. The HD-P3 HD Radio Signal Processor, and the M-1 Microphone Processor look very interesting. Also announced, the AP-1000 Digital Spectral Processor. More details as they become available. Preliminary brochures are provided on the site.

-ptfigg.

Vorsis AP-3 Revisited …

Published April 20th, 2006 in Broadcast Hardware. 1 Comment

I continue to keep a close eye on the Vorsis AP-3 Digital Signal Processor. There is one major issue that I need to consider: the lack of Mac software support. The PC control software currently available looks flat out fantastic. The processor has the capability to be operated via front panel controls, however this is not recommended according to a high level company representative. Do I dig out the HTPC I built last year that is currently stored away? Not sure. I will say this - if Mac support surfaces, I am going to have some Aphex gear for sale.

The Vorsis AP-3 offers an intuitive GUI, four-band Parametric EQ, Multi-Band AGC, Expander, Filter Modes and Compression.

-ptfigg.

Panasonic Widescreen LCD Production Monitor …

Published April 20th, 2006 in Video Production. 2 Comments

Sometime last year, I purchased a Sony PVM 1354 Q, 13 inch CRT production monitor on eBay [sort of]. The seller informed me he had three of these available. Thinking he may have a problem unloading all three, he offered one to me at a tremendous discount [off auction]. This is based on what the remaining two monitors actually sold for. Just one of those lucky occurrences I guess. The monitor can properly scale native 16:9 anamorphic video with the flip of a switch. The only negative attribute is the size [depth] of the monitor [15 inches].

The Panasonic BT-LH1700W, LCD-HD production monitor is two inches deep, and offers a host of cutting edge features, including: two auto-switching SDI/HD-SDI inputs, composite/component video inputs, a waveform monitor that graphically displays luminance levels, BNC connectors, color temperature selection, and WXGA resolution [1280 x 768]. The monitor is rack-mountable and can operate on AC or DC power. MSRP is $3400 - street price is less than $3K.

-ptfigg.

‘The.Point’ no.47

Published April 18th, 2006 in Podcast. 0 Comments

New Broadcast. I mention the new Sound Effects Series bundle by Sony Pictures, and the fantastic audio plugins offered by Nomad Factory. Also, I reference an interesting theory by Bob Katz, the mastering engineer and author of ‘Mastering Audio: the art and the science’, in reference to balanced vs. unbalanced signal chains. I describe the process of converting .BWF [broadcast wav files] into a compatible file format using BWF2XML for Final Cut Pro integration. Lastly, I explain how to extract audio from non-licensed, produced DVD’s for client program post production*. [*I am not suggesting, and do not support performing this process with licensed, copyrighted material].

-ptfigg.

TransLanTech Ariane Sequel Digital Leveler …

Published April 11th, 2006 in Broadcast Hardware. 1 Comment

The Ariane Sequel Digital Audio Leveler by TransLanTech Sound is a customizable audio leveler and RMS control processor. This component is of particular interest to me for a few reasons. I have mentioned in the past I have managed to develop an external analog chain which provides a recording that requires essentially zero post processing. I set a pre-determined reference level of -17.65 dB RMS for personal and client projects. Since the client media is provided by the creator, I have very little control of the realtime capture. I perform RMS Normalization during post production with software in this situation.

In the studio, the external processors perform loudness maximization and peak limiting before the signal is digitized and sent to my G5 via firewire.

According to the manufacturer, the Ariane Sequel processor is designed for Web Streaming, Webcasting and Broadcasting. It will also work well as a ‘mix-finalizing’ leveler during various aspects of post production. Features include:

• Native digital processing
• Gain and stereo image control, including AGC and peak limiting
• TCP/IP remote control
• Peak and RMS I/O metering
• Analog and AES/BU digital I/O
• Software upgrade compatibility

Coincidentally, the manufacturer is local, based here in NYC. I am interested in learning more about this unique processor. Looks very cool.

-ptfigg.

New Plugins by Nomad Factory …

Published March 6th, 2006 in Plugins. 6 Comments

Nomad Factory released three new plugins of interest. I find the SC-226 Studio Channel most interesting. This features a four band equalizer, an analog ’signature’ optical compressor and a brick wall peak limiter. Also available: The EQP-4 Equalizer - and the LM-662 Limiting Amplifier. Plugins are individually priced at $149 US.

-ptfigg.

‘The.Point’ no.46

Published February 27th, 2006 in Podcast. 0 Comments

New Broadcast. I mention new studio upgrades, including the Bias Master Perfection Suite and the Marantz PMD 570 CF digital recorder. I also make reference to a few free audio tools including AudioLeak, used to measure RMS values, and Switch, a converter for all audio file formats. Lastly I discuss new products on the horizon by Motu.

Links:

The Conversations Network
MP3 Trimmer
The Podcast Academy
iZotope RSS Feed

-ptfigg.

Marantz Professional PMD 570 … New Addition

Published February 25th, 2006 in Broadcast Hardware. 4 Comments

I originally expressed interest in the Marantz PMD 570 last May. My thinking at the time was two fold. It is now apparent live audio for many conferences, speeches and interviews is captured directly to CF media. Sure it is easy enough to transfer the captured audio and prepare for submission. However many clients simply don’t have the time to manage this process efficiently, especially when dealing with 75-100 recorded presentations and/or speeches for example. It is much easier to submit the CF cards to me directly. The PMD 570 will function as a source device.

Secondly, I now have an external digital recording device, and along with a software utility called CueMix, I can essentially power down my Mac and record directly to the PMD 570. The CueMix Console software transforms my Motu 896HD interface into a stand-alone ‘routing’ device in a sense. After passing through a multitude of external processors, my signal is available at a predetermined set of outputs on the Motu interface, which can be routed to the PMD 570 for noise free recording. Noise free? I am referring to my noisy G5, which sits right next to me during recording.

This digital recorder has a host of useful features, including MP2, WAV, BWF compatibility, Digital I/O, and Balanced XLR inputs with independent trim adjustments for matching precise operating levels. MSRP $900 US.

-ptfigg.

Aphex 240 Compressor/Gate …

Published February 20th, 2006 in Broadcast Hardware. 0 Comments

Recently Aphex introduced their new model 240 Dual Logic Assisted Gate™ - Compressor. The patented circuitry of the Gate is designed to never false trigger, click or chatter, as is the case with the Model 622, which is included in my signal chain. [See post from June 16, 2005].

The Compressor and Gate in this processor are designed to work seamlessly. When the Logic-Assisted Gate activates, the Easyrider Compressor is prevented from releasing. This avoids the conflicting nature of the Compressor attempting to raise signal level while the Gate attempts to reduce it. The gain reduction is ‘frozen’ until the Gate is opened again.

The 240 can be used as a stereo processor or on a ‘dual mono’ basis.

This will be available sometime this spring. Looks like another winner from Aphex. MSRP $599 US.

-ptfigg.

Bias Master Perfection Suite …

Published January 20th, 2006 in Plugins. 0 Comments

Bias will offer their Master Perfection Suite as a stand-alone AU, RTAS and VST plugin for Mac sometime in March. The suite includes spectral matching, pitch correction/manipulation, signal analysis, multi-band dynamics processing, parametric equalization and gate/expander implementation. This package is also bundled with the Peak Pro XT edition. Separately, it will sell for $599 US, which is $100 more than the full version of Bias Peak Pro 5.

-ptfigg.

‘The.Point’ no.45

Published January 8th, 2006 in Podcast. 5 Comments

New Broadcast. I discuss software compressors by Anwidasoft and PSP Audioware. Also, a very useful CD burning application called BurnX Free, and a cool multitrack recording tool by Vosgames. Lastly, I mention a very interesting white paper published by Bias Software which documents the quality of sample rate conversion performed by Peak and many other audio applications.

• Link to third party SRC Evaluation is here.
• Dynamics Processors Technology and Applications

-ptfigg.

Rane PEQ 55 Parametric Eq

Published January 1st, 2006 in Broadcast Hardware. 3 Comments

I continue to explore various aspects of external voice processing. As mentioned, I am working towards eliminating various aspects of dialog post processing. I have added a second Aphex 109 parametric eq to my chain. I now have the capability to control [equalize] 2 mic channels with independent parameters. The parametric eq’s are configured to apply hi-pass/low-pass filters to each mic channel.

I will be replacing my dbx 160a compressor with an Aphex 651 compressor/hfx expander. I secured the 651 from a local dealer who was nice enough to offer a 90 day warranty on this used piece. [the 651 is a single channel processor].

Besides my obvious interest in Aphex gear, Rane Corp. offers a few interesting pieces worth considering. Recently I posted info on a very affordable 2 channel Rane Compressor at Podcastrigs. Their high end parametric looks interesting as well.

The Rane PEQ 55 Parametric Eq is an ideal choice for broadcast applications. It functions as a dual mono 5 band or a 10 band stereo processor. Complete high-pass/low-pass filter control is available along with Accelerated Slope tone controls. In 2003, this component won the Pro Audio Review PAR Excellence Award. $799 US.

-ptfigg.

Boom Recorder by VosGames

Published December 21st, 2005 in Audio. 0 Comments

It is applications like this which make we want to learn how to develop Mac software. Boom Recorder by VosGames can capture up to 32 independent channels from a compatable external interface, including those offered by Motu. You can also record from your system’s built in audio and/or mic. Boom Recorder is capable of exporting Broadcast Wav files [BWF] with metadata. I will be discussing this cool application on the next edition of The.Point.

-paul.

‘The.Point’ no.44

Published December 8th, 2005 in Podcast. 0 Comments

New broadcast. I mention the new Entry System I designed at Podcastrigs, and two cool inexpensive Mac applications used for video encoding and MP2 management. I also discuss similarities and differences between Bias Peak and Apple Soundtrack Pro, and why I feel both applications are necessary.

Links:

Nattress Film Effects
Marantz PMD 570
The Bitterest Pill … Vol. I

-paul.

Wave Arts TrackPlug

Published November 21st, 2005 in Plugins. 0 Comments

This is an all-in-one channel strip processor by Wave Arts. Features include 10 band 64-bit eq, dual compressors, noise gate, and user defined high-pass/low-pass filters. Accurate gain reduction meters will help calibrate compression. The plug-in operates in both stereo and mono, and takes advantage of Wave Arts impressive CPU efficiency. $175 US.

-paul.

‘The.Point’ no.43

Published November 19th, 2005 in Podcast. 0 Comments

New broadcast. I discuss the great time I had at The Podcast Academy and The Portable Media Expo in Ontario California. Also, I focus on 3 issues I referenced during my sessions which have generated a good amount of interest - Quality Audio Cables, the Heil PR-40 Broadcast mic, and the MP2 file format. I also make reference to one of my favorite resources for post production tools, Digital Heaven.

Links:

SoundConverter
PRX MP2 Encoder
Horizon Audio Cables

-paul.

Aphex 250 Aural Exciter Type III

Published November 5th, 2005 in Broadcast Hardware. 6 Comments

This is the next piece of gear I will pursue. The Aphex 250 Aural Exciter Type III is essentially the pro broadcast version of the Aphex 204, minus the optical big bottom effect. Aphex states the 250 will ‘increase loudness, calrity and presence without disrtortion or overmodulating the signal’. Also, the processor actually ‘extends’ high frequencies, inserting a single ended process that may be applied at any point in the audio chain.

-paul.

‘The.Point’ no.42

Published November 5th, 2005 in Podcast. 0 Comments

New Broadcast. I discuss a new Knowledge Base article form Apple which explains proper Timecode Frame Off Set Calibration when capturing Serial Timecode , and the in’s and out’s of Flattening Actions in Soundtrack Pro. Also, I mention Rapid Preview, a cool sound file previewer.

Links:
Nattress Film Effects
Accelerate Your Mac

-paul.

Aphex 109 Parametric Eq … New Addition

Published October 6th, 2005 in Broadcast Hardware. 0 Comments

I was able to secure yet another great deal on eBay for this discontinued Aphex 109 Parametric Eq. They are often listed on eBay, and I have been keeping a close watch for one in good condition. Turns out this particular piece is new in the box, never used. The dealer is reliable and I am glad I was patient. This is a 4 band parameteric with ‘peak’ and ’shelf’ modes.

-also-

this [below] is the next piece of gear I will be on the look out for. The Aphex 722 Dominator II Precesion Multiband Peak Limiter is mainly for broadcast use, due to Pre and De-emphasis circutry. From the Aphex site:

“Pre-emphasis is an equalization curve expressed as a time value based on the ratio of a resistor and capacitor. The higher the value, the greater the equalization. It has been employed as a noise reduction technique for broadcast and transmission links. There are primarily two world standards- 50 and 75 microseconds.

The Dominator II Model 722 has separately switchable pre and de-emphasis curves. When pre-emphasis is switched in, either 50 or 75 microseconds, the equalization curve is added after the input stage and before the limiters. When de-emphasis is switched in, the complementary de-emphasis curve is inserted after the final clipper and before the output stage.

When both pre and de-emphasis are switched in, the frequency response of the output is flat. When the input is below threshold and as the input increases above threshold the output takes the shape of the de-emphasis curve”.

The 722 Dominator II creates increased loudness; cleaner sound; and is helpful in production for punchier voice-overs.

Update:

Purchased a 720 Dominator II.

It turns out the Pre-Empasis feature on the 722 is helpful when the piece is used for Radio Broadcast Transmission. I landed a 720 Dominator II last week. The seller was a pro audio dealer based in Upstate NY. It’s in great shape and I am working with Doug Kaye, who is an expert with Aphex Analog Signal Chains.

-paul.

‘The.Point’ no.41

Published October 6th, 2005 in Podcast. 2 Comments

New podcast. I discuss afforadable external storage solutions and how to export mp3 audio files from Apple Soundtrack Pro. I also mention a future review of the Heil PR-30 and PR-40 Dynamic Broadcast microphones.

Referenced external Raids:

Mercury Pro Elite
G Raid
Mini G

SoundConverter Batch sound format conversion tool

-paul.

Wave Arts FinalPlug 5

Published September 30th, 2005 in Plugins. 2 Comments

Wave Arts has redesigned and updated their fantastic group of plugins. My personal favorite is FinalPlug. This is a peak limiter and loudness maximizer which can be used to control average loudness [RMS] during mastering and/or broadcast post production. $175 US.

-paul.

The.Point Update

Published September 17th, 2005 in Podcast. 8 Comments

This is a special podcast update. It has been a very busy month and I thought I’d pass along the details.

-paul.

Links:

4WebResults
Talking Portraits
Podcast Solutions



Sony Minidisc for portable recording…

Published September 10th, 2005 in Broadcast Hardware. 14 Comments

This format has won me over. Doug Kaye mentioned it may just be the ‘best kept secret for protable recording applications.’ Sony introduces the MZ-M100 Pro Recorder . It uses Hi-MD media discs with 1 GB stotage capacity. Files can be uploaded and downloaded using a PC, and uploaded to a Mac with supplied software. Tansfers can be converted into .wav file format. Inputs: USB, Mic In, Line In (analog and optical digital). $389 US. I beleive it is available for less without the supplied mic.

-paul.

I recently purchased a Sony MZ RH910. It works well, however it lacks Mac compatability. Anyone interested?

Doug Kaye on ‘Tech Nation’

Published September 1st, 2005 in Main. 0 Comments

I handle the audio post production for the Tech Nation podcast, hosted by Dr. Moira Gunn on a weekly basis featured on IT Conversations. This is a weekly radio broadcast from KQED, San Francisco. If you are a podcaster, a subscriber to podcasts, or just have interest in podcasting in general, don’t miss this installment of Tech Nation featuring Doug Kaye, creator and executive producer of IT Conversations.

-paul.

Vorsis AP3 Digital Signal Processor

Published August 30th, 2005 in Broadcast Hardware. 0 Comments

The Vorsis AP3 Two-Channel Digital Signal Processor is a single rack space component that features a four-band paramatric EQ, three-band compressor, tunable filters with AGC limiting and expansion. The component provides an array of digital/analog inputs and outputs, as well as DB-25, DB-9 and Cat5 connectors. Remote operation and monitoring is possible using Ethernet-enabled GUI software [Windows only]. Presets are password protected for essential customization. **MSRP $3200 US.

-paul.

Product Brochure

‘The.Point’ no.40

Published August 22nd, 2005 in Podcast. 0 Comments

New Podcast. I mention FrameVault, the management tool for digital video assets by einstein’s legacy, the Inspector XL plugin suite by Elemental Audio, and Peak 5 Pro by Bias. I also discuss recording Automation Data in Apple Soundtrack Pro.

The Mackie Firewire routing bus diagram is here.

-paul.

Aphex 320a Compellor…New Addition

Published August 19th, 2005 in Broadcast Hardware. 9 Comments

After 4 months of patient searching I finally purchased an Aphex 320a Compellor on ebay from a radio station based in Colorado. I will be using this piece of gear mainly to process audio files while digitizing.

Besides delivering intelligent compression processing, the Aphex Systems 320A Compellor will handle leveling and peak limiting during audio content transfer. For example-audio captured during a live conference with a wide variation of peaks and levels can be routed through this processor to prepare for post production. The Silence Gate detects gaps in program material and ‘freezes’ the processing preventing noise build-up which can be quite audible in other automatic gain control devices. The gate releases instantly when the program resumes. The 320A is perfect for mic/vocal processing, broadcast pre-processing and video post audio production.

-paul.

The.Point Interview Series-Graeme Nattress

Published August 15th, 2005 in Podcast. 3 Comments

Graeme Nattress, the creator and developer of the Film Effects plugins for Final Cut Pro joins me on this first installment of The.Point Interview Series. We discuss Graeme’s early days as a software developer as well as how to get the most out of his Film Effects plugins.

-paul.



Mackie Onyx 400F Interface

Published August 8th, 2005 in Audio. 0 Comments

Finally available, the Onyx 400F Firewire Interface by Mackie. This piece is essentially a 10 channel interface featuring 4 high quality Onyx Preamps with a host of other features including 24-bit/192kHz A/D and D/A converters, dual firewire port and channel inserts. It also offers stand-alone operation with a DSP Matrix Mixer control application. [no computer necessary]. I/O configuration: Inputs–>4 XLR, 6 TRS. Outputs–>8 TRS, 1 SPDIF, 1 MIDI. As an added bounus, Tracktion 2 production software is included. $699 US.

-paul.

Motu Symphonic Instrument

Published August 4th, 2005 in Plugins. 46 Comments

A beautifly designed virtual instrument by Motu that contains everything you need to create complete orchestral recordings. Create solo instrumentals, small ensembles or full orhcestral compositions. An 8GB library of sound bites is included along with a built in convolution reverb processor to produce specific room acoustics, from simulated small spaces to majestic cathedrals. Stop by the site and listen to examples of what this plugin is capable of producing–>stunning creations for a post production workflow. [AU, RTAS, VST, DXi and MAS available]. $279 US.
Purchase Motu Symphonic Instrument

-paul.

‘The.Point’ no.39

Published July 30th, 2005 in Podcast. 7 Comments

New Podcast. I mention the latestet release of Feeder by Reinvented Software, the new audio Wave Editor by Audio-file Engineering and Radio Magazine, an interesting information resource that focuses on the professional radio broadcasting business. I discuss exporting projects using Compressor from Soundtrack Pro and creating buses in your multitrack projects.

Links:

ptfigg mix-minus diagram
Nattress Film Effects ver.2.5
Compressor support doc. A B
Soundtrack Pro support doc. A B

-paul.

‘The.Point’ no.38

Published July 19th, 2005 in Podcast. 6 Comments

New Podcast. I mention Sample Manager, the Batch Audio Processor by AudioFile Engineering and iDive, the unique digital video catalog and exploration toll by Aquafadas. I also discuss the essentials of a ‘mix-minus’ bus and recording multiple take voice-overs using Apple Soundtrack Pro.

-paul.

KRK RP5 Powered Reference Studio Monitor

Published July 7th, 2005 in Audio. 18 Comments

I am still looking around for a new set of studio monitors. Space on my work desk is an issue, and I want to make sure this does not create issues in reference to the level of quality that will work for me. Essentially I have made up my mind. The KRK Rokit Powered 5 Reference Monitor features a proprietary signature yellow woofer made of a woven glass aramid composite that delivers a tight low-end response and a soft dome tweeter for natural sounding highs. The drivers are electronically crossed over and are bi-amped for increased efficiency. All of this is housed in an attractive cabinet with radiused corners that reduce edge diffraction resulting in better audio imaging. The rear input panel features phone plug and XLR connectors to accommodate any application. They look fantastic for $149 ea. US.

-paul.

Specifications:

Drivers:
Woofer: 5 ” Glass Aramid Composite Woofer
Tweeter: 1″ Neodymium Soft Dome Tweeter with Ferro Fluid
Frequency Response: 53Hz - 20kHz
Input:
XLR (3-pin), RCA & 1/4″ TRS - 10k Ohm, Balanced / Unbalanced
Amplification: 75 Watt Bi-amp Dynamic Power, 18 dB Octave Filters
Video Shielding: Yes
Dimensions: (H x W x D) 10 7/8″ x 7 1/4″ x 8 7/8″ — 27.6cm x 18.5cm x 22.5cm
Shipping Weight: 16 lbs (8 Kg)

‘The.Point’ no.37

Published July 2nd, 2005 in Podcast. 3 Comments

New podcast. I recommend the Pro-App Tips website, a great place to share information regarding Apple Pro Apps. Also I speak about maximizing your RMS levels using iZotope’s Ozone and Wave Arts Final Plug, and BWAV Reader, a handy app. by Quesoft.

Great article on the Apple Pro site entitled ‘The Tapeless Post-production Workflow’

Aja Video Drivers and new Control Panel.

-paul.

ThePoint and iTunes

Published June 29th, 2005 in Main. 8 Comments

In case you are searching for ThePoint in iTunes, please be advised the podcast is listed as one word without my signature ‘period’ seperating both words!. So far things look cool. I am still reviewing the RSS requirements provided by Apple in order to meet their standards.

Update: I disabled the AAC feed for the podcast. I am trying to determine why my episodes are showing up as duplicates in iTunes. I have a feeling this may be due to iTunes pinging the AAC feed as well as the basic feed with mp3 enclosures. I am also looking into WordPress generating the duplicate listings.

Thanks.

-ptfigg.

Aphex Logic Assisted Gate…new addition

Published June 16th, 2005 in Broadcast Hardware. 2 Comments

As mentioned on The.Point no.36, I will be adding the Aphex 105 Logic Assisted Gate to the production rig. Whenever you are dealing with analog devices and microphones, noise is sure to creep into your signal path. With the Aphex 105, all you have to do is set a threshold point. With 4 channels at your disposal, you have complete control over threshold, attack, hold and release. Currently, I am using my old dbx 266XL solely as a gate [compressor dis-engaged]. The Aphex should be a nice addition here and I am expecting delivery tomorrow.

-paul.

Update:

Yesterday a Pro Rig dealer posted 6– Aphex 622 Logic Assisted Expander/Gates on eBay, all in great condition and available for immediate purchase-$250. This was my first choice in my quest for a new gate. I could not pass it up. It should be in on Friday. The list price for a new piece is $700 US. I’m not sure if I will be keeping the 105 or if I will put it up for sale.

-paul.

Symetrix 422 Stereo AGC Leveler

Published June 13th, 2005 in Broadcast Hardware. 0 Comments

Use the 422 by Symetrix to create constant audio levels and intelligibility for broadcast and other audio applications using automatic gain control and peak limiting. You set the ‘target’ output level to the desired point and the 422 gently boosts signals that drop below your target, and smoothly pulls back those that rise above it. $549 US.

-paul.

‘The.Point’ no.36

Published June 9th, 2005 in Podcast. 0 Comments

New podcast. I recommend NWEQ, the free VST parametric plugin, Ask Video Interactive Media, featuring Cubase training DVD’s and the new update to Bias Peak-ver.4.14. I offer more Sountdrack Pro Tips and reference a tutorial explaining the Match EQ bundled with the application.

-paul.

Powerful Tool for Broadcast and Post Production

Published June 2nd, 2005 in Broadcast Hardware. 0 Comments

The DBMax by T.C. Electronic is a full featured dynamics processor capable of multi-channel compression, equalization and limiting. The DBMax is programed with 60 presets for custom applications, and are helpful in assisting in creating a unique sound style or ’signature’ in various aspects of broadcasting applications. AES/EBU, S/PDIF and Analog outputs are all active simultaneously/ processing up to 48kHz sample rate for 24kHz audio. $3400 US.

-paul.

‘The.Point’ no.35

Published May 27th, 2005 in Podcast. 0 Comments

New podcast. I mention the Fostex FR-2 compact flash recorder as well as Control Surfaces by Mackie and Tascam. I finish up with my initial impression and review of Apple Soundtrack Pro.

New Drivers: XServe RAID ver. 1.0—AJA Video ver. 2.0b1

-paul.

Soundtrack Pro…Up and Running

Published May 18th, 2005 in Post Production Applications. 26 Comments

I received my new FCP Production Suite this afternoon. So far I have installed Compressor 2 and Soundtrack Pro. Believe me-Soundtrack Pro is awesome! The first thing I noticed… how ’snappy’ the program is. I performed a multitrack recording test and STP is just so impressive. The learning curve will be a non-event for me I’m happy to say. I just need to study the GUI. Detailed review coming on the next edition of The.Point.

Update: I have gone ahead and installed FCP 5 and Motion 2. Everything is stable. I came across a few issues with Soundtrack loops which I took care of. Mainly, many of the newly installed loops were duplicates of original loops from the previous version of Soundtrack.

-paul.

Mackie Control Universal

Published May 14th, 2005 in Audio. 0 Comments

The expandable Universal Control Surface by Mackie integrates with your virtual environment. Final Cut Pro 5, Soundtrack Pro and Digital Performer’s virtual mixers can be controlled externally with this device. As you move the faders on the Mackie Control Universal, you will see the adjustments being made on the screen and you will hear the results through your audio interface. Hence the Mackie Control Universal gives you the feeling that you are using an audio mixer even though no audio signals are actually passing through it. MCU faders are Penny & Giles custom touch-sensitive motorized optical faders with 100mm throw and 1024 step, 10-bit resolution. Various other pro audio applications are supported. [requires midi input/output interfacing] $999 US.

-paul.

Marantz PMD570 Compact Flash Recorder

Published May 13th, 2005 in Broadcast Hardware. 0 Comments

The Marantz PMD570 is a pro Installation Solid State recorder. You can record directly to Compact Flash Cards with 16-48kHz sample rates and 32-384 bitrates. File formats include MP2, MP3, WAV and BWF. The component offers various methods of connectivity including balanced XLR line inputs with variable trim. Most importantly you can transfer recorded audio samples directly to your PC or Mac. The price around the web is $899 US.

-paul.

‘The.Point’ no.34

Published May 12th, 2005 in Podcast. 3 Comments

New podcast. I announce the formal release of Tracktion 2, the recording application by Mackie and Sample Manager, the batch audio processor for Mac OSX. I also make note of some of the new capabilities of Compressor 2 from Apple.

I briefly review basic features of the following recording/audio interfaces:

•Lexicon Omega Studio
•DigiDesign Mbox
•Focusrite Saffire
•Mackie Spike
•Presonus FireBox

-paul.

‘The.Point’ no.33

Published May 2nd, 2005 in Podcast. 4 Comments

New podcast. I discuss my experience with Mac OSX Tiger, including installation and compatibility issues, as well as new versions of DSP Quattro, the 2 channel audio mastering/editing utility and iDive, the media cataloging utility.

-paul

H.264 is Stunning

Published April 29th, 2005 in Video Encoders. 4 Comments

I just installed Tiger on my Powerbook. Installation took 40 minutes. Spotlight indexing at first specified a 2 hour timeframe. It completed in just under 20 minutes. I purchased a new license for Quicktime 7 Pro, and viewed the H.264 trailers here. Results are stunning.

-paul.

‘The.Point’ no.32

Published April 24th, 2005 in Podcast. 2 Comments

New podcast. I mention SoudConverter, an easy to use audio format converter and the new Panasonic HVX-200 HD camcorder. Also, I discuss my post production work-flow for The.Point.

-paul.

Final Cut Pro 5 Upgrade Issues

Published April 20th, 2005 in Final Cut Pro. 13 Comments

On Sunday eve., I placed my order for the new production suite which includes Final Cut Pro 5, SoundTrack Pro, DVD Studio Pro 4 and Motion 2. I purchased all of these applications independently, and I assumed I would be spending $699 for the production suite upgrade since I had not purchased the previous bundle.

I found out this morning if you own independent versions of the apps. mentioned, you are in fact eligible for the $499 production suite upgrade. Very cool-I edited my order and saved $200. Click the pic for more info.

-paul.

‘The.Point’ no.31

Published April 18th, 2005 in Podcast. 9 Comments

New podcast. I mention the new control panel application made available by AJA Video along with Final Cut Pro 5 and Apple Soundtrack Pro.

The Quicktours for the new Production apps. from Apple are here.

-paul.

Podcast Pending due to NAB Announcements…

Published April 16th, 2005 in Main. 2 Comments

Due to the special event that I believe Apple has planned for tomorrow at NAB [Sunday], I will delay producing/posting the next edition of the podcast. Look for the.Point no.31 Sunday eve. or sometime Monday.

-paul.

‘ThePoint’ no.30

Published April 10th, 2005 in Podcast. 0 Comments

New podcast. I speak about Bias Peak 5, new products from Tapco and pro broadcast gear from AKG. I discuss various options available in the Ozone mastering processor by iZotope, and Tracktion2, the audio production application from Mackie.

-paul.

IT Converstaions Audio Engineer

Published April 7th, 2005 in Main. 0 Comments

I wanted to express thanks to Doug Kaye, executive producer of IT Conversations for accepting me as a member of the IT Conversations Audio Engineering Team. I will be handling the post production audio for ‘Tech Nation’, and just completed the first installment. You may subscribe here

Update: The shows are live- listen1—listen2

Thanks Again Doug.

-paul

‘ThePoint’ no.29

Published April 3rd, 2005 in Podcast. 2 Comments

New podcast. I recommend the Akg K141 headset and the sleek VST Plugins offered by Anwidasoft. Also, here is the press release that references the new Pro USB Interface by Digigram designed specifically for broadcast and pro audio applications.

-paul.

‘ThePoint’ no.28

Published March 26th, 2005 in Podcast. 10 Comments

New podcast. I mention Ray Gun Pro, the audio restoration application for Mac OSX, ‘Mastering Audio’ a book by Bob Katz, and ‘Audio in Media’ by Stanley Alten. Also, Balanced Prolink Interconnects by Monster Cable.

-paul.

The Podcastrigs Forum

Published March 26th, 2005 in Main. 1 Comment

This is a community driven Podcast Production Resource Center. Categories include Production Tips, Hardware/Software Recommendations, RSS Feed Management and Classified Ads. Stop by to research various aspects of production workflow and share information.

Forum

-paul.

‘ThePoint’ no.27

Published March 19th, 2005 in Podcast. 2 Comments

New podcast. I mention Flip4Mac, an application for editors to deliver Windows Media Files using Final Cut Pro, Jasmine Audio, a sleek and simple audio recorder/editor and MegaSeg dj, an application that will help produce professional quality radio track cueing and playlist management.

Effects Processor Integration article is here.

-paul.

ProVocal Digital Vocal Strip by dbx

Published March 14th, 2005 in Broadcast Hardware. 8 Comments

The ProVocal Digital by dbx features a superb mic preamp, gating, compression, de-esser and limiter. Also includes various DSP effects, for eample reverb and delay. The piece offers a 24-bit S/PDIF output with selectable 44.1 or 48k sample rates, and of course 48v phantom power. MSRP. $300 US.

-paul.

‘ThePoint’ no.26

Published March 12th, 2005 in Podcast. 4 Comments

New podcast. This installment focuses on various aspects of audio and podcast production. I mention Sample Manager, the cool Batch Audio Processor, Apple Computer’s entry into The Blu-ray Disc Association, and my new Mackie Onyx 1620 Mixer.

-paul.

Know Your Parameters

Published March 7th, 2005 in Main. 0 Comments

I have been working with my new dbx 160a compressor today. At first I was a bit uncomfortable with it because the parameter knobs do not ‘lock’ on specific ‘tick’ increments. I thought this would hinder fine tuning the component. After many hours of testing, I believe I was wrong. The smooth flow of these parameter adjustment knobs makes fine tuning quite simple. Since there is no way to log presets, I photographed the front panel in case I need to revert back to my default settings. The piece sounds great and it will make its debut during the release of The.Point no.26.

-paul.

‘ThePoint’ no.25

Published March 5th, 2005 in Podcast. 2 Comments

New podcast. I discuss the Saffire audio interface by Focusrite, the Firewire Extender 800 by Gefen, new software from Sony Pictures and Sheer Video HD Pro, a set of fantastic video codecs.

Check out the great articles available in the support section on the Focusrite site that reference aspects of dynamics and equalization.

-paul.

New Addition to my Production Rig

Published February 28th, 2005 in Broadcast Hardware. 0 Comments

As mentioned I have been on the look out for a new compressor. My first choice was the Aphex 661. I missed one of these in mint condition on eBay a while back. I feel my audio is sounding pretty good using a $150 dbx 266XL, and it did not make sense to spend $600 plus for the Aphex, although I am sure it is well worth the money. My second choice was the dbx 160A. It retails for $400. I was lucky to grab one off eBay brand new in the box for $300. I’m quite happy and anxious to begin testing. The word is this piece is super quiet and offers cutting edge compression. I was on the phone with an engineer from dbx and he assured me this unit would perform extremely well with my current rig and will improve my audio quality.

-paul.

‘ThePoint’ no.24

Published February 26th, 2005 in Podcast. 0 Comments

New podcast. I discuss the new Quicktime 7 codec and reference a pdf that explains the HE.AAC audio codec. Also, AAChoo, the slick AAC file encoder. Here is the link to an interesting article at Apple.pro.

-paul

AAC Test Feed Goes Live

Published February 24th, 2005 in Main. 0 Comments

There are a few things that I am trying to work out in reference to the availability of a new feed with an AAC enclosure. I am unable to embed the audio file into a web-page. I am not sure why the Quicktime plugin does not launch upon access. However, you can subscribe to the feed as normal and your aggregator should pick it up without a problem. The orange XML button will allow access to the mp3 enclosure as normal. Please let me know if you experience any issues. Thanks.

Update: I found an article that references the problem I was having trying to embed an mp4 [AAC] file in a webpage. It seems the host server needs to be configured for the .mp4 MIME type file. I am in touch with my host. Hopefully I will be able to solve this issue.

-paul.


Film Effects ver.2.0 by Nattress

Published February 21st, 2005 in Plugins and Final Cut Pro. 2 Comments

FilmEffects ver. 2.0 is now available for purchase at Nattress.com. This is a set of must have filters for the serious Final Cut Pro editor which will help transform your video into footage that looks like it was shot with film. New features include a Widescreen Matte, Chroma Blur, Y’CbCr Native processing on many filters, new RGB Colour Mixer for inventive film looks and much more. The included pdf document/instruction manual is well written and extremely informative.

Film Effects was used in production of the new 40th Anniversary Edition DVD of Mary Poppins. Article

-paul.

‘ThePoint’ no.23

Published February 20th, 2005 in Podcast. 0 Comments

New podcast. I mention the new external Firewire 800 RAID Array by FireWire Direct, AudioXplorer, the handy graphical sound analyzer, and the rumored enhancements for Final Cut Pro 5, expected to be announced at NAB in April.. Today’s tip explains how to highlight a specific area of a clip using the Garbage Matte video filter.

Update: Nattress releases Film Effects ver. 2.o

-paul

Possible Alternate AAC Feed

Published February 17th, 2005 in Main. 12 Comments

I am considering the publication of an alternate feed which would include an AAC file enclosure. You are probably aware of the fact that AAC audio files support bookmarks. If you stop listening in the middle of a program, you will be able to continue where you left off upon re-access. Some of the popular podcast aggregators support MP3 to AAC file conversion. Offering this alternate feed allows you the subscriber to choose which file format you prefer. I will discuss this on the next edition of The.Point, and I will be asking for feedback in reference to this issue. Please feel free to leave comments here as well.

-paul.

DSP Quattro 2 Introductory Tutorial

Published February 16th, 2005 in Main and Post Production Applications. 6 Comments

I have just completed production of a tutorial which introduces DSP Quattro 2. It is available here. This tutorial is a basic overview of features and demonstrates how well this application performs as a podcast production tool. Future installments will explore actual production scenarios and descriptions of advanced features.

-paul.


iZotope Spectron for Sound Designers

Published February 15th, 2005 in Plugins. 0 Comments

The Spectron effects processor by iZotope looks like a must have tool for sound designers. I am thinking that it would be quite useful for sound effects creation/processing for post production audio projects. This tool basically splits audio into thousands of frequency bands, applies effects independently to each band, and subsequently re-synthesizes the audio creating entirely new sounds. The user interface is stunning.

-paul.

‘ThePoint’ no.22

Published February 13th, 2005 in Podcast. 6 Comments

New podcast. I mention the new version of Standards Conversion 2.0 by Nattress, available sample clip Catalogs for iDive by Aquafadas, and a new article posted on the Apple Pro Site that references The Sundance Film Festival’s Production Workflow. Also hear my initial review of DSP Quattro 2, the Editing and Mastering application for Mac OSX.

-paul.

iZotope Ozone Master of Dynamics

Published February 7th, 2005 in Plugins. 6 Comments

Another cutting edge tool to enhance your audio workstation. The Ozone Software Mastering Processor by iZotope offers 64 bit digital precision to deliver cutting edge mastering parameters. It features: MultiBand Dynamics, Paragraphic EQ, Multiband Harmonic Exciter, Multiband Stereo Imaging, Mastering Reverb and Loudness Maximizer. You can also prepare Audio for CD with word-length reduction and high order psycho-acoustic shaped Dither. As described by EQ Magazine, “High marks for Graphic Beauty, Sound Quality and Flexibility.” I have this running with DSP Quattro 2 and they work extremely well together. The included presets will get you up and running in no time. Amazing sound quality.

-paul.

‘ThePoint’ no.21

Published February 6th, 2005 in Podcast. 0 Comments

New podcast. I mention the VST compressor by Anwidasoft, the new Firmware Update for the Aja IO and IO/LA breakout boxes, various products by BlackMagic Design, and XML2Text, a handy application for Final Cut Pro XML’s.

-paul

DSP Quattro 2- Highest Rating

Published February 2nd, 2005 in Post Production Applications. 10 Comments

It is not very often that I feel the necessity to post follow up comments in reference to an application that I mention on the podcast. I have been tooling with DSP-Quattro 2 for a few days and I am totally convinced this application might be one of the best deals available anywhere based on performance, available options and price. In fact in the current edition of Electronic Musician magazine, this app. was awarded a ‘5 of 5′ rating. I even emailed the support department to congratulate them for their efforts. I will be doing an extensive review on a future podcast.

-paul

Aphex 661 could be heading my way …

Published February 1st, 2005 in Broadcast Hardware. 2 Comments

This piece by Aphex is a Tube Compressor/Limiter that has some unique features. ‘Tubessence’, provides vintage tube sound, ‘Easyrider’, which automatically senses proper compression parameters based on wave forms with available bypass for manual configuration. This single channel component offers other useful features and is recommended for Music Production, Sound Reinforcement, Broadcast and Post Production. I just missed one on eBay in mint condition that sold for $175. It retails for $650.

-paul.

‘ThePoint’ no.20

Published January 31st, 2005 in Podcast. 2 Comments

New Podcast. I mention the Sound Solutions Database on the Shure website, ‘Motion for Mac OSX’, the new visual quick start guide book, a new free application from AJA Video, and the slick audio editing application DSP-Quattro 2. Here is a link to the cool audio plugin that will help you monitor and maintain your incoming podcast levels at GregWalker.org

-paul

iStabilize ver. 2.0

Published January 27th, 2005 in Final Cut Pro. 0 Comments

iStabilize, the Video Stabilizer for Mac OSX is now available with several new features and enhancements. Use it to remove unwanted shaky motion that camera stabilization was not able to correct. It is a stand-alone application that works independently of other software applications. The Demo is available for free. License $60.

Download

-paul

‘ThePoint’ no.19

Published January 24th, 2005 in Podcast. 0 Comments

New podcast. I discuss Lumiere HD software for HDV editing in Final Cut Pro, and the interesting article that talks about The Edit Center here in NYC. Various aspects of Final Cut Pro audio integration are discussed as well.

This site contains the article in reference to iMovie/Final Cut Pro/HDV integration. Great site recommended by Greg W.

-paul.

dbx DDP Digital Dynamics Processor

Published January 22nd, 2005 in Broadcast Hardware. 0 Comments

Besides offering classic dbx gating, compression, limiting and de-essing, this dynamics processor delivers 24 bit A/D and D/A converters as well as an intuitive display panel with 50 factory presets to help speed up work flow. The operating system allows user defined presets, and Digital Input/Output is also available as an option. $600.

-paul

In search of an Apple Script Developer

Published January 21st, 2005 in Main. 0 Comments

I developed a concept and interface design for an application that would help those of us who maintain/edit our own RSS feeds. I snooped around and issued a few requests asking to contact me if interested in taking on the project. I have Xcode installed on my G5, and I am trying not to launch it fully realizing that it might spark some curiosity and eventually turn into another project. Just what I need.

Update:

I made contact with someone and I have submitted the initial design and concept to him. More to follow…

-paul.

Aphex 2020 MkIII Broadcast/Post Processor

Published January 20th, 2005 in Broadcast Hardware. 2 Comments

Ever since Michael from Reel Reviews pointed me to Aphex Systems, I have been spending some time researching their product line, which is quite impressive in my opinion. The Aphex 2020MkIII Broadcast/Post Production/Mastering component might find its way into someones high end podcasting rig sometime in the future. Besides the obvious compression, limiting, leveling and filtering features, the component is available in various custom configurations based on preference. It is also Remotely and Locally controllable. The site offers a good amount of specs and research material. The maxed out unit can be yours for around $5k.

-paul.

Software Database

Published January 20th, 2005 in Main. 0 Comments

As mentioned in the last podcast, I will be referring back to my notes, and I will begin building a software database. Included will be each and every software application that I have mentioned, reviewed or recommended. I think it will be a useful resource for Editing, Sound Production and Media Management workflow enhancement.

-paul

‘ThePoint’ no.18

Published January 18th, 2005 in Podcast. 2 Comments

New Podcast. I mention various products by AJA Video, the real time video production application by Livid Instruments, Union, the Digital Video Essentials DVD by Joe Kane productions, and BounceUs II, a handy XML utility for Final Cut Pro.

The C3 MultiBand Compressor Plug-in is here

-paul.

New Voice Signal Processor by Aphex

Published January 16th, 2005 in Broadcast Hardware. 2 Comments

The new 230 Master Voice Processor by Aphex features:•Tube Mic preamp• EasyRider Compressor• Logic Assisted Gate• De-esser• Parametric EQ• Aural Exciter/Big Bottom.

-paul.

NPR Broadcast speaks about Apple

Published January 15th, 2005 in Main. 0 Comments

A look at iPods, iMacs, hot stocks, and hot tempers with Fast Company senior writer Alan Deutschman, author of The Second Coming of Steve Jobs from the NPR public radio site. Some interesting observations about Steve Jobs are discussed.

-paul

High End Portable Recorder by Edirol

Published January 14th, 2005 in Audio. 7 Comments

The Edirol R-1 is a great tool for portable and/or desktop recording. Storage capacity is up to 2 gigs utilizing compact flash memory. File formats include WAV and MP3. It includes internal audio effects, and a vast array of input/ouput options.

-paul.

‘ThePoint’ no.17

Published January 12th, 2005 in Podcast. 0 Comments

New Podcast. I speak about ‘Live Cut’ the free multi camera editing application, the reference files for the ‘Ozone’ software dynamics processor plug-in, ‘Mackie Onyx’ mixers, and the great article by G. Nattress ‘Beyond DV with FCP HD’.

-paul

Apple Introduces IT Pro Site

Published January 12th, 2005 in Main. 0 Comments

I mentioned this site in a past podcast. It offers resources, support, solutions and products. It looks great. The Apple IT Pro site.

-paul

Time for a new Look-Under Construction

Published January 11th, 2005 in Main. 2 Comments

I decided that it was time for a change in reference to the design concept of my site. Frankly, I grew a bit tired of the previous black site design/theme. The installation of WordPress was quite interesting and challenging at times. It is required that you have an active MYSQL Database account as well as PHP installed. You simply need to provide your own host, and need an FTP client app. to manage your uploads. With Blogger, you may upload your site to their host with the click of a button. I must admit that it will take some time getting used to this new design. I am finding WordPress fairly easy to work with so far…

-paul.

‘ThePoint’ no.16

Published January 11th, 2005 in Podcast. 2 Comments

New Podcast. I mention the Support Library at Rane, the cool iZotope plug-in ‘‘Vinyl , ‘iAAPL‘, the handy stock price monitor, and the new podcast project by WNYC radio, ‘On The Media‘. Also the link to the featured article in reference to ‘Podcasting Will Save Radio’ is here

-paul.

WNYC enters the Podcast Arena

Published January 7th, 2005 in Main. 1 Comment

This is the only radio station that I would ever attempt to listen to here in the city. Lots of great shows. I mentioned during a past podcast that you may stream the station signal right from their site. Today they announced their entrance into the world of podcasting. Really cool.

-paul

Mackie Onyx 1620 Mixer with FireWire i/o

Published January 5th, 2005 in Audio. 1 Comment

I have had my eye on this mixer since its introduction recently. I currently use a Mackie 1402 VLZ Pro. The enhanced EQ, Preamps, and Firewire features make this Onyx mixer an attractive consideration. The only thing that I find disappointing is the fact that the the Firewire i/o option is just that…an option, at added cost. In fact around $300-$400 if I am not mistaken. In my opionion, this a something that should be included from the get go. A 2 port Firewire i/o card for a Mac costs a mere $60. I am not sure why this totally necessary upgrade is so expensive. I will say this…Mackie’s are without question the best mixers in this price range. Recommended…

Mackie

-paul.

‘ThePoint’ no.15

Published January 4th, 2005 in Podcast. 0 Comments

New Podcast. I discuss ‘Deck‘ by Bias, ‘ChannelStrip‘, a DSP plug-in for audio mastering, and a new FCP training DVD by DMTS.

-paul.

Article/review of ‘iDive’, great app. for FCP users

Published January 3rd, 2005 in Final Cut Pro. 0 Comments

I recommended this application a while back. Here is some follow up infromation in reference to this great tool.

article

-paul.

New Site ‘PodcastRigs.com’

Published January 2nd, 2005 in Main. 0 Comments

I am building a new site that will offer some advise and concepts for producing/recording a podcast in reference to gear. It is still in its very early stages. I am in the process of developing more ideas, and will include many more pages of information soon. The pics are live links, and the notes on the bottom contain specific product data links.

-paul.

let me know what you think.site

Podcasting articles and ‘TechPodcasts.com’

Published December 30th, 2004 in Main. 0 Comments

Articles from The BBC News , The Boston Globe and The Boston Phoenix in reference to podcasting. Also, stay tuned for ‘TechPodcasts.com’, a new site that will offer various services including program listings, ratings and much more. I hope to be actively involved. Todd from GeekNewsCentral is developing the concept.

-paul

‘ThePoint’ no.14

Published December 30th, 2004 in Podcast. 0 Comments

New Podcast. Software recommendations, iStabilize and The Pro-Apps Hub, …Nattress Final Cut Pro Filters, ‘Final Cut Pro Editing Essentials ver.3‘ by Tom Wolsky, and the excellent product overview pdf. for Apple’s XServe RAID.

Also, go here to view the excellent podcasting tutorial by Michael Geoghegan at Reel Reviews.

-paul.

Podcast promo…

Published December 28th, 2004 in Main. 0 Comments

Here is the 2 minute video that I shot and edited in Final Cut Pro. Please be aware that the file is a 40 meg. download, so please be patient and thanks for checking it out. Basically, it is a short journey into the concept and development process of ‘ThePont’. The finished file will be somewhere around 40 megs. I will post specific compression parameters, and speak about the project on the next podcast.

link

-paul

‘ThePoint’ no.13

Published December 27th, 2004 in Podcast. 0 Comments

New Podcast. I talk about ‘Audacity‘ a free recording application, SoundSoap Pro by Bias and PlayPod, a neww RSS/Podcast Client application. I mention an interesting article in reference to Cooling Data Servers in Rack Enclosures, tips on creating Freeze Frames in Final Cut Pro, and tips to help your Apple Compressor workflow.

-paul.

Podcast promo Soon to be released….

Published December 23rd, 2004 in Main. 0 Comments

I am just about done with a 2 minute video spot that will be released Dec.26th. Basically, it is a short journey into the concept and development process of ‘ThePont’. The finished file will be somewhere around 30 megs. I will post specific compression parameters, and speak about the project on the next podcast.

-paul.

Motu Releases Digital Performer Update…

Published December 22nd, 2004 in Post Production Applications. 0 Comments

Digital Performer 4.51 is available for download to all registered users. This is a maintenance update which includes a few ‘bounce to disc’ parameter enhancements. This is the software that I use to record ‘ThePoint’.

-paul

‘ThePoint’ no.12

Published December 21st, 2004 in Podcast. 0 Comments

New Podcast. I discuss my initial impressions of the new book ‘Behind the Seen’…, AquaFadas ‘iDive’, a fantastic media management application and a great new Podcast entitled ‘Podcasttools‘. Also, you can download the widescreen masks that I created for framing purposes here.

-paul.

Reviewing another cool Media App…Stay tuned.

Published December 20th, 2004 in Main. 0 Comments

I’m exhausted this evening. It was just one of those nights. I was working on three things at once. 1- Reading ‘Behind the Seen’…How Walter Murch used FCP to edit the motion picture ‘Cold Mountain’. 2- Cutting a 3 minute video promo that I am going to post on the site as soon as I add some effects and audio. 3- Gathering material for the next podcast. Yesterday, I found another totally cool application that is reasonably priced, looks fantastic, and most importantly seems to be quite a useful companion app. for FCP and other apps. I was in contact with the developer and this person was a class act. Currently, I am reviewing the 50 page manual. I’ll play with it for a week or so and talk about it in detail on an upcoming podcast. Stay Tuned.

-paul.

‘ThePoint’ no.11

Published December 17th, 2004 in Podcast. 0 Comments

New Podcast. I discuss analog mixer system integration, bundled Final Cut Pro Audio effects and a new higher quality MP3 bit rate format for my podcast in this special Audio edition of ThePoint.

-paul.

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